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DXO OPTICS PRO LIGHTROOM PLUGIN SOFTWARE
NOTE: I have no affiliation with DxO Pro Optics, I am writing this blog because it is a software I use on a regular basis – especially on images that are difficult to process, have a wide contrast range, and/or were captured at a high ISO (anything over 400 ISO). Up to twice as fast, providing a frictionless user experience Uses face detection to intelligently apply an intelligent tone map to the entire imageĪutomated detection and correction of red eyesĪutomatically enhances fine details in your images, but smart enough to leave faces and high ISO images intactīetter preservation of midtones for a more natural lookīrowse your images in an immersive, distraction-free environmentĮasily cull through photos using new keyboard shortcuts The industry-leading denoising is now even faster and more powerful If for nothing else, their PRIME NOISE reduction has to be seen to be believed.īut in version 11, they have added even more to make me sit up and take notice. If you are a regular follower of my blogs, then you know how highly I think about this software. On June 1st, DxO Labs released version 11 of their incredible app, DxO OpticsPro software. To pay $150 for a “Lightroom wannabe” and to wait for months for testing of new lenses is less tempting.Wildflowers and Mt.
DXO OPTICS PRO LIGHTROOM PLUGIN FREE
I would buy it on the spot for $50, providing that DxO improved the timeliness of their lens testing and provided free updates for at least a couple years. I would welcome the lens correction portion of the DxO Optics as a stand-alone software package doubling as a plugin to Lightroom and Photoshop. The lens corrections are excellent and I wish DxO had stopped there and offered it for $50. In summary, the software is clean and straight forward. However, I took the liberty to make some observations. You find better sources for that on the Web here and here. This is in no way a review of the software. I have also briefly explored the remaining functions of the DxO Pro 10 Elite software.
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Is it worth $150, to make a $400 lens a keeper lens? I don’t know, but I do think that the concept is right to take advantage of lens correction software to produce outstanding image quality at a reduced price. It makes the Samyang a keeper lens whereas without correction it was on my list of lenses to sell.
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What I wanted was the lens correction for the Samyang 14mm. I consequently downloaded the trail version of the DxO Optics Pro 10 Elite. Not only does DxO Optics Pro offer outstanding sensor and lens correction software, but they have apparently also decided to try to match the entire functionality of the Adobe Lightroom software package, at the same price of $150. I can see a financial need to supplement their data collection with a marketable product and apparently DxO has chosen an all out challenge of Adobe Lightroom. I have criticized DxO for their apparent shift of attention from timely delivery of sensor and lens performance data to marketing lens correction software. Lightroom presently does not offer lens corrections for Samyang 14mm, though lens corrections for this lens is a must. I have been delighted with the coverage of the Samyang 14mm, even though the distortions are pretty pronounced. Is DxO turning into a photography software game changer?Shooting 36MP cameras with primes, I have learned to appreciate the new freedom of cropping and throwing away ¾ of the frame to end up with a completely acceptable 9MP image, should it become necessary, and of course depending on the final use. Also knowing how hard it is to design a “perfect” ultra wide angle lens I settled for the fact that the Samyang 14 promised excellent center contrast and resolution. I purchased the inexpensive Samyang 14mm F2.8 just for fun, knowing that the image IQ would be far from what I would have preferred. I recently experienced a striking example of exactly that. I mentioned in one of my earlier photographic fictions that I am anticipating a growing importance of systematic integration of lens design and lens correction software. This is not to say that the nerdy science aspect of photography is of any more importance than the artistic aspects of the art itself. I much prefer to have this data under my belt when deciding on a new purchase. A case of megalomania or a proper challenge? I am definitely a fan of DxO as a source for scientific, photographic test and performance data for camera image sensors and lenses - as published on DxOMark.